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２．２ 版画
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ゴヤは一枚の版画に, エッチング、アクアティント、ドライポイント、ビュラン、バーニッシャー、ビュラン、などの複数の技法を駆使して制作している。
各版画に添えられたスペイン語で書かれた文章は、Thames and Hudson社版「GOYA His complete etchings,
aquatints and lithographs」にあるRaymond Rudorff による英語訳を転載した。 |
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画像をクリックすると、拡大します。 |
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１７９９年制作。 29.5 x 20.2 cm の紙に 大凡 21.9 x 15.2 cm前後 の版。
1799年2月6日付け『マドリード日報』の記事（広告文）：
《人間の不正や悪徳を批判するのは、弁論や思想に固有の領域と考えられる。 だが同時に、絵画の対象にもなりえるのだと確信し、作者（ゴヤ）はその信念のもとにテーマを選んだ。 つまり、社会に共通にして見られる常軌を逸した愚行、無知蒙昧のゆえに認められている偏見や虚偽のなかから嘲笑の材料になりやすく、また作者の幻想を働かせたものが選ばれている。》 |
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Francisco de Goya
y Lucientes
Painter |
They say “yes” but give
thier hand to the first man who comes along |
Here comes
the bogey-man |
The murse's child |
Birds of a feather flock together |
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People do not know themselves |
Even so he cannot recognize her |
And so they kidnapped
her ! |
Tantalus |
Love and deaｔh |
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Up and about, boys ! |
Tooth-hunting |
It's hot |
What a sacrifice ! |
Good advice |
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God forgive her -
it was her mother |
They must fit tightly |
And his house is burning |
All will fall |
They are going off,
plucked |
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How they pluck her ! |
Poor little things ! |
See te result ! |
There was no remedy |
The pitcher broke |
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They already have seats |
Which of the two is
the more bored ? |
Hush ! |
They call this reading |
Why hide the money ? |
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She prays for her |
She was so easily influenced |
To the Count Palatine |
Sleep overcomes them |
She plucks him |
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A stormy night |
Can the pupil know
more ? |
Bravissimo ! |
As far back
as his grandfather |
What will he die of ? |
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Niether more nor less |
They cannot help it |
The dream of Reason produces monsters |
They spin |
There is a lot to suck |
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Correction |
Homage to the master |
The blowers |
Little devils |
The chinchillas |
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They pare
thier own nails |
Fine feeathers make
fine birds |
What a golden beak ! |
He is covered with same |
Till death |
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Ups and downs |
The betrothal |
Eat that, you dog ! |
And still they will
not go ! |
Experiments |
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Volaverunt |
Who would believe it ? |
See how serious
they are ! |
Bon voyage |
Where is Mama going ? |
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There they go |
Wait until you have
been anointed |
Pretty teacher |
She blows |
Vows of devotion |
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The day is breaking
-- off we go |
You cannot escape |
It is better to do
nothing |
Don't cry, idiot ! |
Will no one set us
free ? |
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Your excellency ... h-m-m... As I was saying.... eh !....
h-m-m.... be careful...
if not... |
Now one, now another |
Hurry, they're waking up |
No one has seen us |
Now it is time |
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注：
左掲の４枚は連作集には含まれない。 |
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Dream of falsehood and inconstancy |
Futile despair |
The old lady and her beaux |
See the result
(aquantint variation) |
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１８１０〜２０年に制作。 24.5 x 34.5 cm の紙に、 14.0〜17.5 ｘ 17.0〜25.5 cm の版。
なお、本連作版画集はゴヤ生前には出版されていない。 |
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Sad presentiments of
what must come to pass |
With reason or without |
The same |
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Women give courage |
And they are like wild beasts |
This brings you luck |
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What courage ! |
They always happens |
They do not want to |
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Nor they |
Nor do these |
Was it for this that you were born ? |
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Bitter presence |
The way is hard |
And there is no remedy |
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They equip themselves |
They do not agree |
Bury them and be silent |
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There is no more time |
Look after them,
and then turn to the others |
It will be the same |
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So much and even more |
The same elswhere |
They will still be fit for service |
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And so will these |
One cannot look at this |
Charity |
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Rabble |
He deserved it ! |
Ravages of war |
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This is too much ! |
Why ? |
What more is there to do ? |
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On account of a knife |
Nobody knows why |
Nor this |
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This is worse |
Barbarians ! |
Great deeds -- against the dead ! |
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Unequal combat |
They escape through the flames |
Everything's going wrong |
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And this too |
This I saw |
And that too |
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This is bad |
That is how it happened |
Cruel suffering |
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A woman's charity |
Unhappy mother ! |
Thanks to the chick-pea |
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They will not arrive in time |
He died without any aid |
Vain laments |
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The worst is begging |
To the cemetery |
The sound and the sick |
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It is no use shouting |
What is the use of a single cup ? |
Nobody could help them |
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Do they belong to another race ? |
The deathbeds |
For the common grave ! |
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Cartloads for the cemetery |
What is all that noise about ? |
Strange piety ! |
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No less curious |
What folly ! |
Nothing. It speaks for itself |
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They don't know the way |
Contrary to the general interest |
The consequences |
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Cats' pantomime |
That is still worse |
The trickery of charlatans |
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The carnivorous vulture |
May the cord break |
He defends himself well |
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Truth is dead |
Will she rise again ? |
Fierce monster |
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注：
最後の３作品は初版には含まれていない。 |
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This is the truth |
Infamous profit |
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1８１５〜１８２４年に制作。 38 x 56 cm 及び 30.6 x 43.8 cm の紙に、24.4 x 35.5 cm の版。
ゴヤの死後出版された未完の連作版画集。
内容的には「カプリ-チョス」にも見られるように、人間の愚かさ(folly)を風刺的に描いたものだが、個々の作品についての正確な解釈は、今となっては困難と云われている。 |
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Feminine folly |
Folly of fear |
Strange folly |
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Big boody |
Flying folly |
Furious folly |
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Matrimonial folly |
( People dressed in sacks ) |
General folly |
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( Young woman on a bucking horse ) |
Folly of poverty |
( Majos and majas dancing ) |
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A way to fly |
Carnival folly |
Pure folly |
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( known as Exhorations ) |
( Loyalty ) |
( Ghost of an old man
wandering among phantoms ) |
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Familiar folly |
Precise folly |
Animal folly |
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注１：
最後の4枚は最初に出版された本版画集には含まれていなかった。
注２：
（）付きのタイトルは、no title であったもの。 |
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Folly of bulls |
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１８１５〜１６年制作。 27.8 x 43.5 cm の紙に、23 x 15 cm の版。
ゴヤ自身の言葉によると、この版画集は「スペインにおける闘牛の発生から発展および現状を概観するもの」である。 版画集の１番から14番の内容は、闘牛の歴
史をたどっている。 イスラムがスペインを支配していた時代の闘牛に始まり、歴史上の人物の闘牛の様子や、古来から伝わる闘牛の技が描かれる。 15番以
降にはゴヤの同時代の名闘牛士たちの、伝説的な名場面の数々が描かれている。 ゴヤはこの版画集のために44枚の銅版画を用意したが、いくつかの版は
仕上がりがよくなかったために作者自身の手で削除され、初版では33枚の作品集として出版された。 しかし、後にフランスの出版業者がその銅板を入手
し、40枚組の「闘牛技」がパリで出版された。
用意されながら当初の版画集に掲載されなかった4枚を 末尾に追加掲載する。 |
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How the ancient Spaniard baited
the bull in the open |
Another way of baiting the bull on foot |
The Moors in Spain, disregarding
the supersitions of the Koran,
kill the bull with lances in countryside |
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They fight bulls with the cape
in bullring |
The courageous Moor Gazul was
the firstto fight bulls
according to the rules |
The Moors using thier burnous
to provoke the bull |
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The origin of the harpoon or banderilla |
A Moor wounded in the arena |
A Spanish nobleman kills the bull
after loosing his horse |
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Charles V fighting a bull
in the bullring of Valladolid |
The Cid Campeador attacking
a bull with his lance |
A crowd hamstrings the bull |
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A Spanish horseman spearing a bull
without the help of his peons |
The vlever “student of Falces”
provokes the bull
while wrapped in his cape |
How the famous Martincho plants
his banderrillas |
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Martincho makes the bull turn around
in the bullring at Madrid |
The Moors protect themselves
with assea against a bull
with blunted horns |
The intrepidity of Martincho
in the bullring at Saragossa |
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Another daring feat of Martincho
in the same bullring |
The agility and daring of
Juanito Apinani
in the bullring at Madrid |
An accident that occured
in the ringside seats at Madrid,
and the death of
the mayor of Torrejon |
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The manly courage of the famous
Pajuelera in the Saragossa arena |
Mariano Ceballos, known as
“The Indian,” kills a bull
from horseback |
Ceballos, mounted on one bull, fights
another in the bullring at Madrid |
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A bull baited by dogs |
A picador falls under the bull
from his horse |
The famous Fernando del Toro
provoking the bull with his pike |
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The brave Rendon wounds the bull
with his pike ; in so doing, he met
his death in the bullring at Madrid |
Pepe Illo makes the Recorte
to the bull
( tries to maneuver the bull into
the right position
for placing the banderillas ) |
Pedro Romero kills a bull
that is standing still |
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Banderillas with fireworks |
Two groups of picadors thrown
in successin by a single bull |
The tragic death of Pepe Ill
in the bullring at Madrid |
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A mounted nobleman lancing a bull
with the help of a peon |
A horse thrown by a bull |
Five dogs set on a bull |
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A picador riding on the shoulders of
a matador attacks a bull with a pike |
The death of Pepe Illo (1st version) |
The death of Pepe Illo (2nd version) |
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Two picadors fighting a bull
from a cart drawn by mules |
Martincho's daring at Saragossa |
A Bullfighter using a hat instead of
a muleta, as he prepares to kill the bull |
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A bullfighter 〔Mariano Ceballos ?〕
riding one bull and attacking another
with banderillas at Madrid |
A bullfighter showing his cape
to the bull while he turns his back |
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約半数の１５点が 17世紀の画家ベラスケス ( DiegoVelazquez ) の模写である。 |
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The Flight into Egypt |
San Francisco de Paula |
San Isidro |
The drunkards
( after Velazquez ) |
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Las Meninas
( after Velazquez ) |
Philip III
( after Velazquez ) |
Margaret,Queen of Spain
( after Velazquez ) |
Baltasar Carlos
( after Velazquez ) |
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Count Olivares
( after Velazquez ) |
Philip IV
( after Velazquez ) |
Queen Isabella of Bourbon
( after Velazquez ) |
Infante Don Fernando
( after Velazquez ) |
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Pernia, Known as Barbarossa
( after Velazquez ) |
The buffoon known as
Don John of Austria
( after Velazquez ) |
The porter Ochoa |
Blind man playing a guitar |
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Aesop
( after Velazquez ) |
Menippus
( after Velazquez ) |
The dwarf
Don Sebastian de Morra
( after Velazquez ) |
The dwarf known
as El Primo
( after Velazquez ) |
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The gaeeoted man |
Old man on a swing |
May God repay you ! |
Old man on a swing |
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Landscape with a great rock |
Landscape with a waterfall |
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Maja with a shawl |
Maja with a mantilla |
Woman in prison |
Colossus |
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The blind singer |
Prisoner I |
Prisoner II |
Prisoner III |
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